Monday, November 29, 2010
Can You ... Will You?
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| "Autumnal Tiphtych" by Lynn Rae Lowe |
Always choose Love. Choose “to” Love, an active verb, an action, a choice.
There is a story here, actually several different stories. For now I am not going to tell any of them. I am just going to get right to the question:
Some one has hurt you or someone you care about, they have offended you or they have exhibited behavior that you strongly object to, can you choose to Love them, really love them?
Do you have room to recognize the behavior as bad, inappropriate, even dangerous and still hold a place of compassionate regard? Hold a space that this person is suffering, that their suffering has walked them into this behavior. Can you consider that they act out of their own pain, their own fear. What was it Jesus said as he hung from the cross? “They know not what they do,” even if they seem to. Can you, will you, hold a space for them to find what they need to heal, to shift, to find their own compassionate heart?
Some believe this would mean you are justifying what appears to be bad behavior, I believe they have given you a gift.
Can you look honestly at your own reaction? Are you justifying your own anger and judgment as you condemn another? Are you acting out of your own pain, your own fear? Could it be that they are offering a powerful reflection of your own lack of compassion? Can any of us really say we are a pure display of compassion in every moment?
Whenever some one shows up in your life exhibiting behavior that is clearly “not Love,” I would like to suggest that an opportunity has presented itself, perhaps several opportunities. I invite you to check in with yourself and see where you may be exhibiting “not Love” in your reactions, to them and while you are at it, in other places in your life.
Talk to me …
Sunday, November 21, 2010
Too Spiritual for Prada?
Another thought provoking encounter at Goldenstein Gallery. This time it is with a nicely put together woman from San Francisco. I was touring her through the art in the gallery and she said to me that there are people in Sedona that are just “too spiritual.” Interesting statement, I wait for her to continue. She says, “Like you, you are not too spiritual, isn’t that your Prada bag behind the desk?” As it was just Chet and I working, I confessed that indeed it was my Prada bag but I wondered what my bag had said about my spirituality and I was of course inspired to ponder the meaning of “too spiritual.”
Anyone who knows me knows I am apt to wax philosophical and that I enjoy a bit of spiritual reflection. Yet even in the midst of pondering divine revelations, I also enjoy accessorizing. I love to play with clothes and with clothes, accessories. The whole experience inspired by color, line and texture. I cannot help it. I am an artist. I must express myself. I have a great deal of fun with it too. I will also confess that along with the marvelous fashion gems and designer pieces in my wardrobe, there may be a few knock off’s, practical choices for practical times. I wonder what that says about me.
It was interesting that she used the phrase, “too spiritual,” because lately I have been feeling like a bit of a freak, a cast out, an oddball. Dare I say zealot? I pray a lot. I practice turning everything I do into prayer. I talk about prayer; I write about it, I think about it, I do it. I don’t insist that you pray, you do what ever you like. But left to my own, I study and pray and contemplate and meditate then I journal about it all. I am almost always ready to explore a mystical or philosophical topic if you are. Whether I am hanging with friends, dancing, listening to music or having a good laugh, I find everything is an opportunity to practice the qualities I wish to develop for the benefit of the whole. My spirituality is vibrantly alive in my life.
This time last year I was planning an end of the year retreat for the last ten days of 2009. It had been a challenging year in the ways a year can be challenging when the economy goes to hell; along with the regular ups and downs of life and learning, heartbreak, laughter, loss, disappointment, joy, all that goes with the cycle of life. I was in need of some time to center and reflect, prepare for the opportunities yet to ripen. I decided it would be a retreat to let go of the old, clear out energy that no longer served and to invite new relationship into my life. There was prayer, meditation and two amazing ceremonies, one with water, one with fire. It culminated with a New Year’s celebration, I felt distinctly alive. I danced all night. Little did I know there had been enough energy stirred up to turn my world upside down and inside out. I wanted to be prepared for the most profound opportunities to ripen in my life? Ready or not, my ego was up for a profound awakening.
Tumultuous and incredibly revealing, 2010 was also rich and transformative. Certain that I will not have to face more than I can handle, ever, I prepare to flow into 2011 by stirring up the energy again. This year’s retreat will be somewhat different. It began early Oct and will conclude March 1. It might be more accurately called a semi-retreat as I am working out in the world and taking on only a few social engagements. My focus is on grounding spiritually and pouring forth creatively. Structured this way, it is an opportunity to feel my focus alive within and practice carrying it with me out of a formal retreat setting into day to day living; a practice I would ultimately like to be as natural as breathing.
The last few years have felt like something fresh and new and deeper is taking shape, a culmination of experience and perspective that is opening my heart and opening my mind. I am turning 50 in a few days. I am in the process of creating a new body of work. I have a show at Goldenstein in the spring and later that summer in New Mexico. A growing number of speaking engagements are scheduled for the coming year. As I call forth the creativity within and prepare to step forth to meet opportunity with my fullness of being, I am called back to basics: Prayer, study, meditation, centering in my relationship with Divinity, with my purpose in this life.
Immersed in thoughts of awakening spiritually, of deepening in my understanding of the nature of our existence, I seek to develop the habits of mind that will contribute to the overall raising of the consciousness of our planet. I am hanging out with the writings and lectures of Marianne Williamson, Ram Das, Rumi, Carolyn Myss, Charlotte Kasl and Eckhart Tolle among others, I paint, I write, I open myself as a channel for Divine Love to flow freely into the world.
At one moment, as I prepare my lunch, I think of all of those without food, those that struggle to feed their families; I pray that they have the nourishment they need. I think of my choice to nourish my body, to care for the vehicle I have been provided this time around. I think of the many choices I make. I think of the preciousness of this life, about all the beings that it took to provide this food for me, everything that has come together to create this moment: the farmers, the truck drivers, the food stores, the people that buy my art so I can pay for the food, the bank that manages my debit card transactions. The connections are endless. We are connected to so very many other beings. I acknowledge their light; I offer prayers for each of them that they will know ultimate happiness and freedom from suffering. My prayers are offered to all beings.
As I contemplate the nourishment of the body, I think about the nourishment of the mind. I load a cassette I borrowed from the library, “The Sacred Self Workshop” by Marianne Williamson. Her style is direct and accessible. I like it. Reflecting on her words helps to shine a light into places I have yet to explore. I crazy gobble this stuff up. As I eat, as I listen, I envision all beings receiving what they need. I see our minds relax, our bodies grow strong, our spirits lift and open. I rest in gratitude for the abundance in our lives.
Too spiritual? I don’t know. Feels about right to me. As for Prada, that feels right too. I wonder what she really meant. Or what she would have thought seeing me and my Prada bag climb into my well worn ’94 Chevy half ton pick up. Makes me smile.
Monday, November 15, 2010
Little Blue Bits of Happiness
Ever make a mold? I have been making molds since 1991; rubber molds, fiberglass, plaster, wooden forms fine finished with bondo, one part, two part, three part, single cavity, multi cavity, from tiny to monumental. There are lots of types of molds and lots of ways to make them and lots of stuff to stick in them to then make other interesting, useful things. Good chance most of you probably wouldn’t have much of a need for mold making skills. I, on the other hand, have found the pursuit of knowledge in this area has taken me on some memorable adventures leaving fun tales to tell. “The Rubber Flubber” is the one I am most fond of but that will be for another time.
Let’s talk about the mold I just made last week. I get excited when I make a mold. Something new and potentially delicious is about to take form. Or maybe I should say delightful, as typically I do not eat what I produce from my molds. This mold is small, a single cavity yet it will hold the potential for a new butterfly pendant design, maybe even several new designs. All is yet to reveal itself. I love that about the creative process, one cannot predict just how things will unfold. Creativity becomes a process of discovery and leaves one open to wonder, a freshly enlivened perspective, to surprise.
Come with me.
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| A clay wall is built around the wax carving, referred to as the "model," to contain the liquid rubber. |
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| Pouring the rubber |
The mold is made from silicon, a two part mix ratio 10:1. Measured carefully and mixed thoroughly, the sticky blue liquid is poured from up above in a thin steady stream to minimize the chance of trapping air bubbles that would distort the final mold. You want the rubber to flow into every detail of the model. Mold making rubber picks up amazing detail, perfections and imperfections. There are sculptures that I have made molds of and cast and my finger prints from the original clay can be seen in the final sculpture.
I also discovered a usefulness for the large glossy postcards that regularly appear in my postal box. They make a great protective surface for my worktable. Any drips or spills can go right on there and will wipe off easily.
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After the rubber is poured, I focus on another task while it sets, it will take several hours. |
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| I cast half a dozen pieces, then choose the best one |
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| I trim the edges and give the back a smooth finish. Once the first one is ready for embellishment, |
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| a thin, raised spiral pattern is applied to the wing. |
Saturday, November 6, 2010
The Countess and Her Doors
There are some wildly creative people that are a part of my world; intelligent, kind and sensitive too. As I step into conversation with you I find I want to introduce you to some of them. I am not sure how these people would feel about that or when it is appropriate to use their names. I will have to look into that. As the story I would like to tell today centers around one of my more colorful friends and I am not sure yet what is best, I will refer to her by her title, “the Countess of Gerfalco.” She is indeed an Italian countess, very well traveled and absolutely charming. Over the last decade or so we have become very good friends, the kind of friends that can talk about every little thing, authentically, honestly and even without make up.
We met years ago when my art ran from fine art to murals to faux wall finishes. I was a Tibetan Buddhist nun willing to take on just about any artistic project; she was this intensely creative, intelligent, worldly countess. We hit it off famously. We worked on many, many projects together. I consulted on her ideas and would ultimately execute them but it was her ideas that made it so fun. The dome ceiling of her office is a mystical skyscape with moons and starbursts in purples and blues. Gold leafed and hand painted Tibetan scroll designs on the wall around a small altar. The countess and I have collaborated on many of her doors. Our first project was a door on the outside of her home that she wanted to visually disappear. We decided to match the pattern and color and texture of the brick and carry it across the door. It was fantastic. The door virtually disappears!
As the Countess and I have become friends and my focus has turned more fully to my fine art projects, she is the only client for whom I still pull out my tools. Her projects are compelling. Every detail of her home is a piece of art. Every color and every texture is considered from every angle, down to the finest details. I would call her sense of style and design impeccable. It certainly speaks to me. There are beautiful little moments all throughout her home, moments that delight and comfort and soothe.
So when she said that she was remodeling and she had this fabulous idea for her doors and that I was the ONLY person who could possibly pull this off, I was hooked. Now, I am not so silly as to think that I am the only one that could pull this off but I am definitely the one who gets to try. She explained what she wanted; not at all sure how to make it happen, I set off to do my research. What I was sure of, if she could imagine it, somewhere in the world was a way to make it happen.
One afternoon this week, I had brought the Countess sample boards with the colors and a variation of special effects designed to create a bit of flash. Not sure if I had nailed it, I was a bit apprehensive. Shy may be a better word, when you are talking creative ideas there is not a clear linear definition, the language of creativity is abstract. We had shared the idea in words but now, with the sample boards, we would have a visual context. She loved it. I am not going into the details of how the little bits are coming together for these doors, I will say they are coming together and both the countess and I are excited. I actually began this tale to share with you a moment I found myself literally marinating in joy.
While I was there, I had agreed to revisit another project I had done years ago, her front door. The original project was pretty straightforward; a solid wood door with raised panels surrounded by a smooth wood frame set against very textured peach color bricks. She wanted this simple entryway to have more pizzazz. Of course she did. She chose a solid color finish that was a pearlescent sapphire blue violet. I wish I had the skill to describe in words the crazy rich depth of this color. The color has dimension and flashes from blue to purple with the changing light, picking up reflections of the colors around it, simply marvelous. The door needed a bit of touch up. I was there prepared to bring the finish back to its magical brilliance.
As I set up on the back deck, it was late afternoon, the sun brilliant against Sedona’s red rocks. The temperatures have been moderate. Sweat pants and a light sweater, I was very comfortable. After careful prep of the surfaces I began to paint. I used a brush for the raised areas and a fine foam roller for the larger flat surfaces; brush strokes are unacceptable for this pearlescent finish. I challenged myself to create the very smoothest finish to capitalized on the best possible play of light across the surface.
In this simple moment I became intensely aware of my joy. I was relaxed, comfortable, at play. I was in the familiar company of a great friend, in this beautiful land that draws four to five million tourists a year, the weather divine. I am on the deck of a mature, creatively inspired garden, with the company of several cats always curious about what I am up to when I am there. I see the sun setting against this incredible landscape. I am drinking water from a fresh spring in the canyon, the music of Annie Lenox dances through the air as I am dipping my brush into a glowing pot of liquid pearls in my very favorite color, blue violet. I became exquisitely aware of the beauty around me. I invited it in, I let it touch me. I thought to share this moment with you.
In gratitude, may all beings find joy.
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Welcome to my world - a world of color, symbolism, mysticism, reflection and discovery. I would love it if you would stay for a while.
This is an invitation to explore from a deeper perspective; it is an inner journey of untold treasures yet to be revealed. Travel with me on a journey from our heads to our hearts. A journey for me that has been long and at times arduous yet profoundly rewarding.
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Sherab "Shey" Khandro - Fine Contemporary Art

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